What do the Nightly
News, a Broadway show, and a museum exhibit all have in common? Scenery
engineered and constructed by Showman Fabricators, Inc. and expertly
machined on an OMAX 80160. With an impressive project list that has
included sets for the newly launched FOX Business Network, the CNN
Communication Center, the GORE Capabilities and Visitor Center, and
stage design for the new Broadway musical The Little Mermaid, this
21-year old company has continued to outpace the competition by
crafting stunningly realistic sets that combine sound construction
principles and technical expertise with the best elements of scenic
design.
Headquartered in Long Island City, New York, Showman was
founded in 1986 by Bob Usdin and Michael Cioffi, graduates of the SUNY
Purchase College Technical Theater program. The company offers a
variety of services to Broadway, the movie industry, museums,
corporations, restaurants and retail. Employing a diversely talented
staff of over 100, their shop is fully equipped to handle any number of
carpentry, metalwork, and engineering challenges. In nearly every area,
the 80160 has proven itself as an essential complimentary technology
for Showman.
"Before the waterjet, we weren't really looking at
projects the same way,” says Showman head of Design and Engineering,
Mike Riccio.
Prior to the OMAX, Showman started out with a small 4 x 4 CNC router in
1990 which they used primarily for wood and plastic, while they sent
most of the
metal-work to outside fabricators. However, it soon became clear that
extra technology was still required to bring their metal work in house,
streamline their operations, and increase overall productivity. Before
finally choosing OMAX in February of 2006, they looked hard at several
companies. “Mike and I looked closely at one particular OMAX
competitor,” explains Usdin.
“At that point, we wanted a large table. But their cantilever arm gave
us concerns with respect to how practical it was for our usage. We
liked the design of OMAX better.”
Going forward, Showman is poised to
leverage its considerable expertise to meet even more technical and
artistic challenges. “Our plans are to obtain more work on Broadway
fabricating automation equipment,” says Usdin. This is the equipment
that helps to move scenery around on stage. “Also, now that HDTV is
more prevalent, the industry is demanding more detail oriented and
realistic materials.” With viewers now able to focus in on every detail
of a set, Showman has begun to hone their capabilities in the machining
of stone, laminates, and glass, materials that the OMAX excels at
cutting. Could this mean that another OMAX might play a future role at
Showman? “We have just one OMAX at the moment,” says Riccio. “I wish we
had more.”
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